The TakePart Top 10 Weekly Roundup is a compilation of the week’s most notable stories from our entertainment-meets-social-action blogging network. This week we celebrated some of our own favorite top 10 bloggers who work night and day to provide us up-to-date info on films, literature, and feminist news. Don’t miss these exciting and informative blogs, as well as some of our most popular stories of the week.

Katie:

“La Misma Luna Under the Same Moon,” Not the Same Old Movie

Top 5 Eco-Friendly Gadgets for Under $50

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Nicole:

Top 10 Literary and Book Blogs

NBC11 First Wind Powered TV Station

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Giulia:

Top 10 Feminist Blogs

Horton: The New Mascot for Pro-Life

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Gina:

Top 10 Film Blogs

Top 10 Films I Would See If I Was At SXSW

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Kerry:

Our Pharmaceutically Fouled Water Supply

Top 7 New Sins Against God’s Green Earth

Alas, I am not in Austin but in New York City - but if I was there at SXSW, these are 10 films I would be seeing. They’re all TakePart friendly (advocate social change and action) in their own particular way - even if it isn’t obvious right up front.

Check out the entire SXSW line-up HERE and to keep up to date on festival action.

1. Mister Lonely
Director: Harmony Korine. Writers: Avi Korine & Harmony Korine. Starring: Werner Herzog, Diego Luna, Samantha Morton, Denis Lavant.
A Michael Jackson impersonator lives alone in Paris and performs on the streets to make ends meet. At a performance in a retirement home, Michael falls for a beautiful Marilyn Monroe look-alike who suggests he move to a commune of impersonators in the Scottish Highlands. (U.S. Premiere)

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The series finale of “The Wire” was last night - and as exhilarating as it was, it was also a bit sad - not just because of what happens to some characters, but because our journey with them is over. I will put all information specific to the finale and Season 5 below the fold - so as not to spoil anything for anyone who hasn’t seen the episode yet - or is still catching up on past seasons (hurry - there is so much good stuff to get to!).

But before I do that, I want to post a video of the first scene of the show (I think it’s good to watch it again) and also quote creator David Simon from an interview he gave, which I think speaks to the importance of The Wire:

You know it’s funny, we’re trying to tell a story that we think is more universal than that, but at the same time it always made sense that somebody where their credibility rested on their proximity to the game, to the street world, would be interested is some of what The Wire had to say. We always sort of knew that we might hook into that a little bit. What I love is when you get some 50-year-old white guy with a two car garage who’s watching what D’Angelo Barksdale is going through and how squeezed he is by his bosses, and he goes, “Shit, that’s my job.” That to me is subversive. [The FADER]

On to the finale :

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