Eat, for This Is My Body, Michelange Quay’s binary heavy film acts more like a poem than a movie. There is no plot to speak of and we instead follow images and sounds that lead us on a journey of post-colonialism of the Haitian variety. The scenes aren’t all disparate though, we see the same characters throughout the piece, and together they help to build a tension that is both erotic and filled with disgust. Those characters include an old woman or matriarch of an old estate (amazingly played by Catherine Samie), a young male servant, a younger woman called Madame and the troop of young black boys she instructs.
The feature film is a first for Quay, who was born in Queens and is a first generation Haitian. The film is filled with a cinematic language that strays from convention and instead offers up it’s own rules of comprehension. The mishmash of images and auditory emphasis on sounds that are wet and bring the focus to the human aspect of things, seem fitting considering how the “story” came to be
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