The TakePart Top 10 Weekly Roundup is a compilation of the week’s most notable stories from our entertainment-meets-social-action blogging network. Check out some of our most popular stories of the week, as well as a few TakePart blogger favorites!

TakePart Gang:

Obama Global Love Fest by Martin Musatov

Interview with Lawrence Lessig by Wendy Cohen

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Nicole Hughes:

Top 10 Ways to Green Your Move

Climate Change Activist Superglues Himself to UK Prime Minister

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Andy Kondrat:

Can Junk Mail Be Green?

Google Maps Adds Walking Directions

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Jon Popham:

Recycling Building Materials Greens Up Home Improvement

CA Hotel Owner’s Anti Same-Sex Marriage Donation Brings Boycott Calls

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Gina Telaroli:

Naming a Generation

Ebert and Roeper Exit: Time to Give a Lady the Thumbs UP

It was announced yesterday that Ebert and Roeper were both stepping down from their show “At The Movies”, Ebert for heath reasons, Roeper for contractual ones. And it was also announced that Ben Lyons and Ben Mankiewicz would be taking over for them. And to me, this begs the question, why not a lady? Growing up I always wondered why two older white men had to tell America what movies they should see, why couldn’t there be some variety? So now I wonder why do two younger white men get to tell America what movies they should see?

Of course most critics are men (and are also white…) so it isn’t ridiculous that there would be many able white male candidates available, but given that “At The Movies” is a television show and the point is actually to see the critics, couldn’t the show at least try to move things forward and show an awesome woman talking about movies? Especially since both ABC and Disney have claimed the show is moving forward in a “new direction?”

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One thing I’ve always had trouble with is my joint identity as a female and as a cinephile. Many films and directors I like, even love, often treat women in ways that either objectify them or seem to promote the mistreatment of them. But my anger at this is usually brought back down by the little voice inside my head screaming “but it’s such a good movie.”

On that note, yesterday, I noticed that Radar Online posted their take on the “decade’s most misogynistic movies.” Their picks ranged from Mona Lisa Smile and Wedding Crashers to She Hate Me and 13 Going on 30 and while in many cases I agree with their assessment, the list still troubles me. The fact is, despite their misogynistic nature, a lot of folks, women and men alike, went to see these films - and to me then, the questions becomes why? As long as people go to the theater, Hollywood will continue to make these films.

Of course, some might argue that people only see what’s put out there, what they have access to. With that, I present with an opposite list of sorts - “some of the decade’s more feminist movies” if you will - or to be less political about it all, films from this decade that portray real women, dealing with real issues, often showing how awesome, strong, complex and special women can be.

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