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Posts Tagged ‘Jean-Luc Godard’

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1) Gengen Genocide in Darfur, Olympics in China

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It’s Bastille Day! What better way to celebrate the national French holiday (it commemorates the storming of the Bastille prison) than to watch some French cinema?! The list below is comprised of 10 of my favorite French films, it’s in no way a definitive list, but each and every film is not only great, but is also filled with all that makes France a one of a kind place.

Also, takepart to learn about how we can “storm” prisons here. Or in other words how The Ella Baker Center for Human Rights is promoting positive alternatives to violence and incarceration.

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10) Beauty and the Beast - Beautiful and for the entire family, Jean Cocteau creates a haunting world that everyone should visit.

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The Onion’s AV Club has a great list up of 19 awesome one scene wonders - or scenes where an actor comes in just for that scene and completely steals it. And while the choices on their list are great and include some of my favorites, they also missed a few - so here are 5 more one scene wonders along with takepart links so you can act.

1) Crispin Glover in Dead Man - you have to wait a little while for it, but it is completely worth it!

takepart and learn how you can help save the buffalo today

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Tomorrow marks the first day of summer (and my Mom’s birthday - Happy Birthday Mom!) - so spend the day outside and then curl up with a good movie! These are my Top 10 Summer Inspired Movies.

And takepart to learn how to keep for your house cool for yes and also be better to the environment.

1. Fat Girl (Catherine Breillat)

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Social Action and Cinema YouTube Videos of the Day:

1. 2008 Speak New Words Video Contest–Change

For the Cinema YouTube Video of the Day, Click here >>>

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It’s May 16th, I’m Gina Telaroli and this is TakePart.com’s look at the week in social action…

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Speaking of Godard and Richard Brody, Brody will be on hand tonight at New York City’s Film Forum to introduce a 730pm screening of Godard’s La Chinoise. With a hint of red in every frame, La Chinoise dissects idealism and youth with it’s story of a young group that forms a Maoist cell:

I watch that trailer and I think Mao Mao…

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With all the hubbub over it being the 40th anniversary of May 68, one can’t help but think about the French New Wave, and Jean-Luc Godard. And right on schedule New Yorker film critic Richard Brody has a new book out on Godard entitled Everything is Cinema, The Working Life of Jean-Luc Godard.

Godard always connected the personal to the public in his films, using cinema to express himself and work out issues while still paying tribute to the medium he loved. Brody’s book is about 700 pages long and is thus very detailed in accounts of Godard’s “working life” - I should probably admit now that I’m only on page 251, which gets to me to the time in life when he made Pierrot le fou.

The book works well as a primer for the political and philosophical evolution of both Godard and France and thus how philosophy and politics influenced the films he would make. Brody does a good job of weaving the politics through Godard’s life without losing focus of the fact that when it comes to Godard, “everything is cinema.”

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May 68 happened 40 years ago…

While we primarily think of France when we think of the time period associated with student protests and a general sense of shaking up old society, events were happening throughout the world. Like the heightened sense of political involvement, cinema was also a source of motivation and inspiration during this time and May 68 was heavily documented by filmmakers everywhere.

GreenCineDaily has a great post up about the different film series that are happening around the world in honor of the 40th anniversary of the events in 1968. Here in New York City:

“New Yorkers can mark the occasion with two rich and wide-ranging programs that aim to capture, on screen, the spirit of that bygone age,” writes AO Scott in the New York Times. “One, at Film Forum (Friday through June 5), is devoted to [Jean-Luc] Godard in the 1960s, when he was at the height of his influence, productivity and creative power. The other, at Lincoln Center (Tuesday through May 14), stretches across geography, time and genre:

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