The contradiction of American “Independent” cinema has always perplexed me. How can something be independent if at the end of the day somebody buys it and the creative folks behind the project (mostly the director) give up their ownership rights to a studio or distribution company? It’s a question I often ask myself as the popular model of independent cinema for the past 15+ years has been for the filmmakers to actively seek out dependence. When Miramax and Sundance hit the media, the model of independent filmmaking switched from one where directors maintained creative control to one where they easily give up their rights in hopes of distribution and the ability to make new films.
I was thus extremely excited to wake up today and read about Lance Hammer’s decision to self distribute his film Ballast.
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