
When I first learned that Ben Affleck had directed a movie, I was skeptical. Despite his work with Good Will Hunting and other films like Changing Lanes and Dogma, I always think of Affleck as the guy in Armageddon, Pearl Harbor and Daredevil. But with his directorial debut, Gone Baby Gone, Affleck has returned to his role as storyteller and left behind his blockbuster celebrity. More than that though, he’s told a story that speaks to the lives of people who are working to get by in the day to day, and perhaps not doing so well.
The story revolves around Patrick Kenzie, played by Affleck’s brother Casey, a private eye with young looks and connections to the people on the street. When a young girl in town goes missing, her aunt hires Patrick and his partner Angie to use their ability to work on the street to help find her. From here the film travels downward into worlds of drug dealers, missing children and the personal responsibility of the actions we all take:
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